Post by chromepeelerrec on Apr 6, 2023 10:10:51 GMT -5
The distro is here: chromepeelerrecords.bandcamp.com/merch
VIEO ABIUNGO “Blood Memory” CD
“Blood Memory” exists at a strange netherworld where modern classical, tribal, the experimental and film music intersect. It’s a kind of fourth world music, too complex and playful to be film music, yet too experimental, distorted and distended to be classical. A pseudonym of multi-instrumentalist and composer William Ryan Fritch, who has also worked with a number of high profile composers including Cliff Martinez and Greg Tripi. Here Fritch has focused his energies on composition based on the traditions of chamber music, afro-beat and various forms of world music to create a sprawling epic of a record. Densely layered, sometimes raw and earthy, and oft-exotic.
WILLIAM RYAN FRITCH “Freeland OST” CD
This music does indeed evoke the film's striking redwood covered landscape in the emerald triangle. Its sound is a damp, dank and mossy thing steeped in the mood and physical majesty of the beautiful, yet severe topography of its Northern Californian setting. With waterlogged horns, splintering clacks and wheezing reeds that at time evoke hints of Tom Waits, Moondog, Colin Stetson and Yair Elazar Glotman at their most guttural and coarse, Freeland’s soundtrack is a bold and satisfying sensory feast.
Also, check out the latest release DEATH BY A THOUSAND CUTS "Remoras" ep and our eBay auctions @ linktr.ee/chromepeeler
VIEO ABIUNGO “Blood Memory” CD
“Blood Memory” exists at a strange netherworld where modern classical, tribal, the experimental and film music intersect. It’s a kind of fourth world music, too complex and playful to be film music, yet too experimental, distorted and distended to be classical. A pseudonym of multi-instrumentalist and composer William Ryan Fritch, who has also worked with a number of high profile composers including Cliff Martinez and Greg Tripi. Here Fritch has focused his energies on composition based on the traditions of chamber music, afro-beat and various forms of world music to create a sprawling epic of a record. Densely layered, sometimes raw and earthy, and oft-exotic.
WILLIAM RYAN FRITCH “Freeland OST” CD
This music does indeed evoke the film's striking redwood covered landscape in the emerald triangle. Its sound is a damp, dank and mossy thing steeped in the mood and physical majesty of the beautiful, yet severe topography of its Northern Californian setting. With waterlogged horns, splintering clacks and wheezing reeds that at time evoke hints of Tom Waits, Moondog, Colin Stetson and Yair Elazar Glotman at their most guttural and coarse, Freeland’s soundtrack is a bold and satisfying sensory feast.
Also, check out the latest release DEATH BY A THOUSAND CUTS "Remoras" ep and our eBay auctions @ linktr.ee/chromepeeler